Harumi Ori | I am Here (2024)
Not Available
Harumi Ori’s public sculptures, which are most often seen – whether by chance or intentionally – on the streets of cities all over the globe, are at their most alive when met with the random encounter any of us might have with them while we walk blithely along. This is art that intervenes, gently but insistently, in people’s lives; it compels citizens with a binary choice: to engage with the work or to ignore it (though both routes are equally valid channels for criticism).
.: 32 pages
.: 6 x 8.5 inches
Not Available
Harumi Ori’s public sculptures, which are most often seen – whether by chance or intentionally – on the streets of cities all over the globe, are at their most alive when met with the random encounter any of us might have with them while we walk blithely along. This is art that intervenes, gently but insistently, in people’s lives; it compels citizens with a binary choice: to engage with the work or to ignore it (though both routes are equally valid channels for criticism).
.: 32 pages
.: 6 x 8.5 inches
Not Available
Harumi Ori’s public sculptures, which are most often seen – whether by chance or intentionally – on the streets of cities all over the globe, are at their most alive when met with the random encounter any of us might have with them while we walk blithely along. This is art that intervenes, gently but insistently, in people’s lives; it compels citizens with a binary choice: to engage with the work or to ignore it (though both routes are equally valid channels for criticism).
.: 32 pages
.: 6 x 8.5 inches
